the enemy of my enemy

Jun. 26th, 2025 10:10 am
solarbird: (korra-on-the-air)
[personal profile] solarbird

This appeared first on my Mastodon account last night; it’s proven popular, so here it is – trivially expanded because I had to trim it more than I liked to fit in 750 characters – for here, too.

Some weeks ago, protesters at UW occupied an engineering building on campus, demanding that UW cut ties with Boeing over Israel’s war in Gaza.

“That’s fine,” I thought, and I started relaying news… until I saw their ebullient praise for Hamas and the October 7th attacks. Then I stopped.

Some people will roll their eyes at that reaction, noting – correctly! – that the Israeli government has done so much worse since. But that doesn’t make Hamas into good guys here. They are not.

For example, here’s translated Palestinian reporting on Hamas death squads killing Gazans trying to get food from non-Hamas aid stations, condemning them as “collaborators.”

It is an inconvenient truth that Hamas is a nightmare organisation – but it’s still a truth.

Don’t let Netanyahu’s crimes erase that.

Posted via Solarbird{y|z|yz}, Collected.

solarbird: (korra-on-the-air)
[personal profile] solarbird

A couple of lefty people I know are pre-emptively being bitter and anticipating defeat in the New York City Mayoral election, expecting “vote blue no matter who” suddenly not to apply.

I’ll be fair and admit they have reason, but pre-surrendering is not how to win fucking anything ever.

Now, some may note – fairly enough – that “vote blue no matter who” is fundamentally about how legislative bodies are organised and deciding who has the power to set the agenda for bills and legislative voting. They’ll note that it’s not actually about every individual race, but instead is about deciding what gets moved forward in a legislature.

But while true, “vote blue no matter who” still matters this time, even though it’s a mayoral race, and even though this time it’s someone to the left of people who usually say that, rather than about someone to the right of people who usually hear it. And that is because it’s about the Overton window.

Here’s one way you might pitch it to your “centrist,” or “establishment,” or “conservative-leaning” Democratic friends who might otherwise vote Cuomo as an independent, or just sit this this one out:

“Okay, yeah, I know, you don’t like the word ‘socialist,’ and so you’ve already decided you don’t like Mamdani. You’re afraid of him winning, you’re afraid of how the mythical “centrist Republican” won’t come over if Democrats somewhere back a leftist.

“Thing is, that’s bullshit. I’m sorry, but it’s a lie. It just is. They do not care. We had a literal fascist insurrectionist running last election, and a Democratic campaign that spent half its time with dissident Republicans trying to get those so-called centrist Republicans to acknowledge reality and switch over. Did it work? Not one whit. These voters don’t exist, so stop trying.

“But even that’s not the real point.

“This isn’t about Mamdani. Not him in particular. I mean, even as mayor of NYC, he can’t do that much by himself. I think he’ll do some real good. It won’t be enough for me, but it’s a start. But for you, now… for you

“For you, this election is about moving the Overton window back towards yourself.

“You may not have noticed, but right now, the Overton window is so far to the right that Elon Musk could do and did throw a literal Hitler-identical Nazi salute during the Presidential inauguration and still be welcomed into government. That’s insane. And fatal for a representative democracy.

“But we can push that window back to where you want it to be, and we do that by pushing to the left as hard as we can. Even if you don’t want to go there, even if you don’t want to go where I do, even if you’re ‘not comfortable’ with someone who calls himself a ‘socialist.’

“By electing him, we can make that position viable. Not dominant, not in charge, but viable. And doing _that_ pushes the middle of the window back to where you actually are. It makes you the middle position again.

“Right now, everyone not a fascist – which includes you – is ‘radical left.’ Rule of law? Radical left. Science? Radical left. Due process? Radical left. Social security and medicare? Radical left. Woman not the property of a man? Queer? Radical left. Which is, again, insane, but that is where we are right now.

“But if we start electing some real leftists, then suddenly, that window swings away from the right. You’ll be part of the Sane and Normal Centre again.

“In short: like always, this is strategy. Vote for him as ‘vote blue no matter who’ so that you won’t be the ‘radical left’ anymore, and so you can have an actual choice who you vote for again in the future.

“And that’s why, this time, it’s you who need to ‘vote blue, no matter who.'”

Posted via Solarbird{y|z|yz}, Collected.

(no subject)

Jun. 25th, 2025 08:25 pm
skygiants: Sheska from Fullmetal Alchemist with her head on a pile of books (ded from book)
[personal profile] skygiants
I was traveling again for much of last week which meant, again, it was time to work through an emergency paperback to see if it was discardable. And, indeed, it was! And you would think that reading and discarding one bad book on my travels, dayenu, would have been enough -- but then my friend brought me to books4free, where I could not resist the temptation to pick up another emergency gothic. And, lo and behold, this book turned out to be even worse, and was discarded before the trip was out!

The two books were not even much alike, but I'm going to write them up together anyway because a.) I read them in such proximity and b.) though I did not like either of them, neither quite reached the over-the-top delights of joyous badness that would demand a solo post.

The first -- and this one I'd been hanging onto for some years after finding it in a used bookstore in San Francisco -- was Esbae: A Winter's Tale (published 1981), a college-campus urban fantasy in which (as the Wikipedia summary succinctly says) a college student named Chuck summons Asmodeus to help him pass his exams. However, Chuck is an Asshole Popular Boy who Hates Books and is Afraid of the Library, so he enlists a Clumsy, Intellectual, Unconventional Classmate with Unfashionable Long Red Locks named Sophie to help him with his project. Sophie is, of course, the heroine of the book, and Moreover!! she is chosen by the titular Esbae, a shapechanging magical creature who's been kicked out into the human realm to act as a magical servant until and unless he helps with the performance of a Great and Heroic Deed, to be his potentially heroic master.

Unfortunately after this happens Sophie doesn't actually do very much. The rest of the plot involves Chuck incompetently stalking Sophie to attempt to sacrifice her to Asmodeus, which Sophie barely notices because she's busy cheerfully entering into an affair with the history professor who taught them about Asmodeus to begin with.

In fact only thing of note that nerdy, clumsy Sophie really accomplishes during this section is to fly into a rage with Esbae when she finds out that Esbae has been secretly following her to protect her from Chuck and beat her unprotesting magical creature of pure goodness up?? to which is layered on the extra unfortunate layer that Esbae often takes the form of a small brown-skinned child that Sophie saw playing the Heroine's Clever Moorish Servant in an opera one time??? Sophie, who is justifiably horrified with herself about this, talks it over with her history professor and they decide that with great mastery comes great responsibility and that Sophie has to be a Good Master. Obviously this does not mean not having a magical servant who is completely within your power and obeys your every command, but probably does mean not taking advantage of the situation to beat the servant up even if you're really mad. And we all move on! Much to unpack there, none of which ever will be.

Anyway. Occult shenanigans happen at a big campus party, Esbae Accomplishes A Heroic Deed, Sophie and her history professor live happily ever after. It's 1981. This book was nominated for a Locus Award, which certainly does put things in perspective.

The second book, the free bookstore pickup, was Ronald Scott Thorn's The Twin Serpents (1965) which begins with a brilliant plastic surgeon! tragically dead! with a tragically dead wife!! FOLLOWED BY: the discovery of a mysterious stranger on a Greek island who claims to know nothing about the brilliant plastic surgeon ....

stop! rewind! You might be wondering how we got here! Well, the brilliant plastic surgeon (mid-forties) had a Cold and Shallow but Terribly Beautiful twenty-three-year-old aristocratic wife, and she had a twin brother who was not only a corrupt and debauched and spendthrift aristocrat AND not only psychologically twisted as a result of his physical disability (leg problems) BUT of course mildly incestuous with his twin sister as well and PROBABLY the cause of her inexplicable, unnatural distaste for the idea of having children. I trust this gives you a sense of the vibe.

However, honestly the biggest disappointment is that for a book that contains incestuous twins, face-changing surgery [self-performed!!], secret identities, secret abortions, a secret disease of the hands, last-minute live-saving operations and semi-accidental murder, it's ... kind of boring ..... a solid 60% of the book is the brilliant plastic surgeon and his wife having the same unpleasant marital disputes in which the book clearly wants me to be on his side and I am really emphatically absolutely not. spoilers )

Both these books have now been released back into the wild; I hope they find their way to someone who appreciates them. I did also read a couple of good books on my trip but those will, eventually, get their own post.

This week on FilkCast

Jun. 24th, 2025 06:38 pm
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[personal profile] ericcoleman posting in [community profile] filk
Anthony Gilbert, Kristoph Klover, Kathy Mar & Taunya Gren, Draketo, Frank Hayes, Mike Whitaker, Alexa Klettner, The Blibbering Humdingers, Ju Honisch, Norm Sherman & Dusty Mangum, Jordin Kare, Jellicle Timewarp, Philip Allcock, Twotonic, Barry & Sally Childs Helton, Mary Crowell w-Betsey & Kade Tinney

Available on iTunes, Google Play and most other places you can get podcasts. We can be heard Wednesday at 6am and 9pm Central on scifi.radio.

filkcast.blogspot.com

Tesla Takedown Tuesday

Jun. 24th, 2025 11:03 am
solarbird: (korra-on-the-air)
[personal profile] solarbird

Today is another Tuesday Tesla Takedown at the Lynnwood (Washington State) Tesla dealership.

4:15 PM • Tesla store – Lynnwood • 17731 Pacific Hwy, Lynnwood, WA 98037

There are several other protests, sign events, and so on today in other locations as well. You can pick your preference.

Tesla Takedown is an endurance run. Please show up to help demonstrate that going in with Trump has long-term consequences.

If you can’t show up today, you can find more actions on different days here.

Posted via Solarbird{y|z|yz}, Collected.

genarti: a handpainted cup made of white pottery, decorated with teal brushstrokes into which a design of wheat or grass has been carved in white ([art] playing with clay)
[personal profile] genarti
I posted a while ago about how I'd been really getting into pottery this year. That remains true, and shows no signs of stopping. It's just so fun! I still take a 3-hour class once a week at a member-owned studio near me; I think wistfully about spending more time on it too, but for various reasons including but not limited to the busyness of my life in general, that dedicated weekly slot is what works right now.

Back in late February, I spotted a flyer that someone had hung up on the studio bulletin board. It was a call for Boston-area artists to submit art inspired by Octavia Butler's Parable of the Sower, as part of an art show and book circle event co-organized by two local stores, The Local Hand and JustBook-ish.

I'd been meaning to read Parable of the Sower for ages, and the idea of doing a pottery piece inspired by a book seemed really fun -- like a Yuletide prompt, but for physical objects. Also, if your piece was accepted, you got a $500 stipend and 75% of the sale price if your piece sold, and let's be real, that was also extremely motivating.

And motivation was useful! Because the deadline was just over a month away. Pottery has a lot of built-in wait time while things dry, get fired, etc, so on a once-a-week schedule that was going to be pretty tight.

So I read the book, and loved it -- I'd been told that it was brilliant, which it is, and that it's brutal, which it is, but all of the (accurate!) discussions of its brutality hadn't conveyed the fierce pragmatism and focus of how Butler writes hope and community, and that's what I loved most -- and by the next week, I had a plan.

About my piece, and the process, and also noodling about pottery and art -- this got very long )

(no subject)

Jun. 22nd, 2025 08:02 pm
skygiants: Izumi and Sig Curtis from Fullmetal Alchemist embracing in front of a giant heart (curtises!)
[personal profile] skygiants
When I'm reading nonfiction, there's often a fine line for me between 'you, the author, are getting yourself all up in this narrative and I wish you'd get out of the way' and 'you, the author, have a clearly presented point of view and it makes it easy and fun to fight with you about your topic; pray continue.' Happily, Phyllis Rose's Parallel Lives: Five Victorian Marriages falls squarely in the latter category for me. She's telling me a bunch of fascinating gossip and I do often disagree with her about what it all means but we're having such a good time arguing about it!

Rose starts out her book by explaining that she's interested in the idea of 'marriage' both as a narrative construct developed by the partners within it -- "a subjectivist fiction with two points of view often deeply in conflict, sometimes fortuitously congruent" -- and a negotiation of power, vulnerable to exploitation. She also says that she wanted to find a good balance of happy and unhappy Victorian marriages as case studies to explore, but then she got so fascinated by several of the unhappy ones that things got a little out of balance .... and she is right! Her case studies are fascinating, and at least one of them (the one she clearly sees as the happiest) is not technically a marriage at all (which, of course, is part of her point.)

The couples in question are:

Thomas Carlyle and Jane Baillie Carlyle -- the framing device for the whole book, because even though this marriage is not her favorite marriage Jane Carlyle is her favorite character. Notable for the fact that Jane Carlyle wrote a secret diary through her years of marriage detailing how unhappy she was, which was given to Carlyle after her death, making him feel incredibly guilty, and then published after his death, making everyone else feel like he ought to have been feeling incredibly guilty. Rose considers the secret postmortem diary gift a brilliant stroke of Jane's in Triumphantly Taking Control Of The Narrative Of Their Marriage.

John Ruskin and Effie Gray -- like every possible Victorian drama happened to this marriage. non-consummation! parent drama! art drama! accusations that Ruskin was trying to manipulate Effie Gray into a ruinous affair so that he could divorce her! Effie Gray's family coming down secretly to sneak her away so she could launch a big divorce case instead! my favorite element of this whole story is that the third man in the Art Love Triangle, John Millais, was painting Ruskin's portrait when he and Gray fell in love instead, and Ruskin insisted on making Millais keep painting his portrait for numerous awkward sittings while the divorce proceedings played themselves out and [according to Rose] was genuinely startled that Millais was not interested in subsequently continuing their pleasant correspondence.

John Stuart Mill and Harriet Taylor -- this was my favorite section; I had never heard of these guys but I loved their energy. Harriet Taylor was married to John Taylor but was not enjoying the experience, began a passionate intellectual correspondence with John Stuart Mill who believed as strongly as she did in women's rights etc., they seriously considered the ethics around running off together but decided that while all three of them (Harriet Taylor, John Taylor, and John Mill) were made moderately unhappy by the current situation of "John Mill comes over three nights a week for passionate intellectual discussions with Harriet Taylor while John Taylor considerately goes Out for Several Hours", nobody was made as miserable by it as John Taylor would be if Harriet left John Taylor and therefore ethics demanded that the situation remain as it was. (Meanwhile the Carlyles, who were friends of John Mill, nicknamed Harriet 'Platonica,' which I have to admit is a very funny move if you are a bitchy 19th century intellectual and you hate the married woman your friend is having a passionate but celibate philosophical romance of the soul with.) Eventually John Taylor did die and Harriet Taylor and John Mill did get married -- platonically or otherwise is unknown but regardless they seem to have been blissfully happy. Rose thinks that Harriet Taylor was probably not as brilliant as John Mill thought and John Mill was henpecked, but happily so, because letting his wife tell him what to do soothed his patriarchal guilt. I think that Rose is a killjoy. Let a genius think his partner of the soul is also a genius if he wants to! I'm not going to tell him that he's wrong!

Charles Dickens and Catherine Dickens -- oh this was a Bad Marriage and everyone knows it. Unlike all the other women in this book, Catherine Dickens did not really command a narrative space of her own except Cast Aside Wife which -- although that's probably part of Rose's point -- makes this section IMO weaker and a bit less fun than the others.

George Eliot and George Henry Lewes -- Rose's favorite! She thinks these guys are very romantic and who can blame her, though she does want to take time to argue with people who think that George Eliot's genius relied more on George Henry Lewes kindling the flame than it did on George Eliot herself. It not being 1983 anymore, it did not occur to me that 'George Eliot was not primarily responsible for George Eliot' was an argument that needed to be made. "Maybe marriage is better when it doesn't have to actually be marriage" is clearly a point she's excited to make, given which one does wonder why she doesn't pull any Victorian long-term same-sex partnerships into her thematic examination. And the answer, probably, is 'I'm interested in specifically in the narrative of heterosexual marriage and heterosexual power dynamics and the ways they still leave an imprint on our contemporary moment,' which is fair, but if you're already exploring a thing by looking outside it .... well, anyway. I just looked up her bibliography out of curiosity to see if she ever did write about gay people and the answer is "well, she's got a book about Josephine Baker" so I may well be looking that up in future so I can have fun arguing with Rose some more!

a day that will…

Jun. 22nd, 2025 07:48 am
solarbird: (korra-grar)
[personal profile] solarbird

December 7th, 1941: the Empire of Japan bombed Pearl Harbour. American President Franklin D. Roosevelt called it “a day that will live in infamy” in his famous speech to Congress asking for a declaration of war against Japan.

That particular epithet – that’s a strong one. And unlike most such epithets, it’s held up. People know it, still.

I mean, sure, slogans like “Remember the Maine!” rallied people at the time, but it’s an historical footnote; “Remember the Alamo!” has more weight, but not because of the attack – it’s because of the hopeless and romanticised defence.

(That it was, push comes to shove, in defence of slavery is important but not relevant to my line of thought here.)

Why was the Pearl Harbour attack somehow that much worse?

It wasn’t that Japan attacked a purely military target in a United States territory. Nothing wrong with that by the rules of war. Certainly nothing infamous about it, either. Within the rules of war, it’s fair play.

It’s not that it was a surprise, even – though it was, and that tends to be what people think of when they hear the phrase. Most people at the time assumed a Japanese Imperial attack would come in the Philippines, not in Hawai’i. But surprise attacks are the meat and gravy of war, and simply good strategy – again, not a source of infamy.

It wasn’t even, really, that they started the war with the attack. That’s kind of how wars tend to go. As a rule, one doesn’t go declare war and then stand around a while giving your enemy a week or two to get their defences in place.

So why were people who were absolutely expecting war – absolutely getting ready for a war – with Japan still so very angry about the way it started? What made a crowd certain that war was inevitable – a crowd that was getting ready for it, whether they liked it or not – go, “oh, that is too goddamn far”?

It was that Japan was literally still negotiating as the bombs fell.

Roosevelt mentions this in his speech to Congress asking for a declaration of war. It’s shallow in the specifics, but it’s explicitly there, in the first minute. He didn’t have to get into the weeds of details; everybody in Congress knew.

The Japanese attack started at 12:48pm Eastern time. The military finally got word sometime after 1:30pm Eastern time. The Japanese ambassador had scheduled a meeting with Secretary of State Hull for 1:45pm, and didn’t show up until 2:05pm, by which time the bombs had been falling for over an hour – and even then, they delivered a statement responding to a previous US position paper delivered on November 26th.

It was harsh, but it was no declaration of war.

The Japanese delegation were literally negotiating as their air force’s bombs fell.

That betrayal – that subterfuge, that backstab – coloured the entire rest of the war in the Pacific, up to and including the decision to use those atomic bombs.

Does that still-negotiating-as-the-bombers-let-fly trick sound like something that just happened this afternoon?

Maybe it should.

Japan’s plan was a quick but heavy knockout blow on a military target, to weaken American forces in the Pacific and force the Americans to accede to their demands in China.

Trump’s plan was apparently also a quick but heavy knockout blow on military targets, to force the Iranians to accede to Trump’s – and Netanyahu’s – demands in the Middle East.

Iran is in no way the 1940s US; Trump’s clown car criminal crowd is in no way the leadership of Imperial Japan. This is not World War II, and since Trump didn’t go nuclear, I don’t think it’s World War III; this is not that kind of projection, so don’t make it into one.

I’m just talking infamy. As far as infamy goes?

Yeah.

I could really see saying this is an act of infamy.

Obviously, that’s the kind of thing Iran would say, no matter what. Aside from that, times have changed. Asymmetrical war, disinformation, irregular warfare as a primary strategy – all those old ideas about war have rather gone by the way side. It’s hard to talk about something as infamous in war these days.

But still. I could see it.

And more importantly… I could see people believing it.

Couldn’t you?

Posted via Solarbird{y|z|yz}, Collected.

solarbird: (korra-on-the-air)
[personal profile] solarbird

…but here are some options from a foreign-policy standpoint as laid out by The Atlantic. Seems a reasonable summary to me.

What it completely leaves out is that this is a direct violation of the War Powers Act, the UN Charter (to which the US is signatory), and even the National Security Act. I guess that’s not important anymore.

Correctly, there are calls for impeachment tonight from outside and within Congress. I suggest you write whoever you’ve got up there to do the same. But I do not expect it to go anywhere; I am absolutely confident the MAGAts will find a way to justify their 100% spin on the “peace president” and why bombing Iran – an absolute act of war – is just fine and all the more reason to worship their shit-stain incarnate God Emperor.

I’ve got a short essay going up tomorrow morning at 7:48am. If you know why 7:48am on Sunday is an important time, you’ll probably have some idea what it’s about. You’re probably not completely right – but you’re quite certainly not really wrong, either.

For the rest of you?

It’s about infamy.

Posted via Solarbird{y|z|yz}, Collected.

14 Years

Jun. 18th, 2025 09:01 pm
ericcoleman: (Default)
[personal profile] ericcoleman
The day before, when we had got to the hotel and realized that I had forgotten my stage rig. It was sitting by my desk at work.

Also Pauly Shore was sitting on a bench in front of the hotel working very hard on us noticing that we weren't supposed to notice him, but of course we were supposed to. But hey, it was Pauly Shore ... so we ignored him.

My boss overnighted the case to us. The hotel lost track of it for a bit, but we got it in time to play our first show.

14 years ago today. The very first full length Cheshire Moon show.

Looking at the set list is fun. Half covers, we still do one of them occasionally (She Moved Through The Faire). We only play two of the originals still, Out Of The Light And Widow's Garden. We will occasionally play If I Were The Rain if we have a second voice for it.

Pronouns (parody of Wimoweh)
Child Of Stars
Lighthouse
If I Were The Rain
Out Of The Light*
Halley Came To Jackson (Carpenter)
Temple Of The King (Dio/Blackmore)
World Walker
Follow That Road (Hills)
Swamp Witch (Stafford
Bloodletting (Napolitano)
She Moved Through The Faire (trad)
Widows Garden*

Since then ... a couple things have happened.

Let's see, over half a million miles on three vehicles. Two wonderful train trips. We flew to England. 4 Albums, three EPs and a couple of singles. Pushing 200 songs written. 200+ shows played (I lost count a few years ago). GOHs at 10 cons, played at many more. 300+ episodes of FilkCast. The Filk Hall Of Fame.

And all because two people met walking down a hall at a con.

The most important thing. Lizzie is sitting across the room from me while I type this. With me retired we're together all of the time, and that suits us so well.

15 years together this fall. 14 years married. The best time of my life. Thank you, all of you, for giving us this life.

It's been awhile

Jun. 17th, 2025 07:25 pm
vivien: Giles as dream play director from Restless (bug eyed surprise)
[personal profile] vivien
Mostly because I have been depressed, panicked, defiant, planning escape, ignoring the news, frozen in fear, crying, seizing joy, and so forth. I'm not getting into the current events because everything sucks. I'm trying to focus on right here, right now, and living without as much extra stress and fear as I can, but some days are harder than others.

But I've done things!
  • I earned my TEFL (teaching English as a foreign language) certification.
  • With that coursework, I renewed my elementary teaching license, since it had lapsed in 2011.
  • I kept my job somehow (our federal contract was okay).
  • I researched so much about visas for anywhere. Albania! It was good enough for Tom Riddle, could it be good enough for me? There's a beach and cities, and Americans automatically get a one year tourist visa.
  • Went on a spiritual birding weekend (Zen and the Art of Birding) in a beautiful place.
  • Started doing some mixed media collage.
  • Read a whole lot of books.
  • Watched a whole lot of media.
  • Bought a whole lot of physical media to have all for myself no matter what happens to streaming services (or my ability to pay for them).
  • Healed from a stupid injury to both my wrists/tendons.
  • Started a new medical program for pelvic floor therapy that seems to be helpful already.
  • Become a lot more active at church (the Unitarian kind, not the Jesus kind) - I may be teaching Sunday school in the fall. I really like focusing on my community.
So really, a lot of really good things in the midst of horrible things. God damn, I wish things weren't so horrible.

This week on FilkCast

Jun. 17th, 2025 06:45 pm
ericcoleman: (Default)
[personal profile] ericcoleman posting in [community profile] filk
Alexander James Adams, Renee Alper, Karen Willson, D.J. McGuire, Juliana McCorison, Char Mackay, Anne Passovoy, Sean McGaughey, Ernest Clark, Gary McGath, Drake Oranwood

Available on iTunes, Google Play and most other places you can get podcasts. We can be heard Wednesday at 6am and 9pm Central on scifi.radio.

filkcast.blogspot.com

hey team north end!

Jun. 17th, 2025 02:54 pm
solarbird: (korra-on-the-air)
[personal profile] solarbird

Today’s Tuesday. There’s a Tuesday protest, Lynnwood, Tesla dealership on 99. 4:15pm TODAY, like usual. As I’m writing, that’s literally an hour and like 20 minutes away.

Yeah I kinda forgot too lol, but no reprieves for the fascist.

Let’s get out there~~~

Posted via Solarbird{y|z|yz}, Collected.

Let’s talk “Remigration”

Jun. 16th, 2025 09:15 am
solarbird: (korra-on-the-air)
[personal profile] solarbird

Farty McShitgibbon squirted out another racist authoritarian shart on Pravda Sotsialnaya late Sunday night, blowing off steam caused by his frustration at protests and over his shitty birthday parade. It’s a screed of lies about Democrats being sick in the head and not actually Americans, sending more waves of cops and military at us, and about cheering on mass deportations. Like y’do, if you’re a fascist fuckhead.

But let’s pay particular attention to this bit:

…I have directed my entire Administration to put every resource possible behind this effort, and reverse the tide of Mass Destruction Migration that has turned once Idyllic Towns into scenes of Third World Dystopia. Our Federal Government will continue to be focused on the REMIGRATION of Aliens to the places from where they came…

CAPS as in the original. Bold added.

Remigration pretends to be but is not actually a subtle word.

Remigration means ethnic purge. Ethnic cleansing, if you insist – but I hate that term, because there’s nothing cleansing about it. It’s an ethnic purge. It’s violent, it’s bloody, it’s repression, it’s expulsion at the point of a gun, based on your ethnicity.

Remigration means ancestry-based expulsions of people who aren’t white, for being not white, and not for any other reason. Just for being not white. Legal status means nothing; being a citizen means nothing. Not white? Get the fuck out, at gunpoint. That’s how it went during Operation W*tback; that’s how he wants it to go again, and now he’s just saying it.

This is not a question; this is not up for debate. If you feel like debating it with me, screw you you fascist-apologist fuck, and sit the fuck down. In this context – in any context outside academia – that’s what it means. Go read Wikipedia if you want the definition and history.

“Remigration” in this context absolutely and only means ethnic purge. All the leading haters in his administration – Miller, I’m looking in your direction – know damn well what it means. They used the word on purpose.

So I’m asking you not to discuss this shart of a statement without going directly to what REMIGRATION means. Do not let anyone lie and pretend it means something else, because that’s bullshit. Remigration is why they’re revoking every legal status they can; remigration is why they’re trying to end birthright citizenship; remigration means a violent ethnic purge.

And that’s what he’s told ICE – or more generally, “ICE, FBI, DEA, ATF, the Patriots at Pentagon and the State Department” – to make happen.

So. What do we do, in particular, right now?

First off, make sure people know what this word means.

Second – know any “good cops”? Like, relatives or something you might actually be able to reach? Show them the Wikipedia article about what “remigration” means, and only then show them Trump’s statement. Make sure they understand what Trump said, and make sure they know what they’re being asked to do. Make them understand, like… now.

Make sure they understand the criminal act they’re being asked to perform.

Because that is, absolutely, the ask, and “just following orders” … just won’t do.

Posted via Solarbird{y|z|yz}, Collected.

A word you need to know right now

Jun. 15th, 2025 10:45 pm
solarbird: (korra-on-the-air)
[personal profile] solarbird

I’ve got a post going up tomorrow (Monday) morning, but the word you need to understand right now is:

Remigration

If you don’t already know this word – or if you’re in certain areas of academia and think you do, but do not in any context outside academia – you need to know what this word means right now. And you need to make sure your friends know what it means.

Wikipedia will explain it to you.

More tomorrow.

Posted via Solarbird{y|z|yz}, Collected.

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